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If I needed to get a great pair of overhead mics on a budget, I'd get the Rode M5 Matched Pair. These small diaphragm mics are the best pick for most people. They also work really well for miking up an acoustic guitar, a choir, and tons of other applications. At around $200 (for the pair!), you get a flexible and powerful addition to your microphone arsenal.
If you’re reading this article you probably know a little bit about using overhead mics.
If not, here’s the Wikipedia summary:
Overhead microphones are those used in sound recording and live sound reproduction to pick up ambient sounds, transients and the overall blend of instruments. They are used in drum recording to achieve a stereo image of the full drum kit, as well as orchestral recording to create a balanced stereo recording of full orchestras.
It is common to use a matched pair of microphones in order to catch a great stereo image.
Of course, there are numerous ways to mic overhead ambiance. Some options use a single microphone. If you’re unsure, go check out Recording Hacks, which has a great comparison of different ways to mic drum kits.
This great Sound On Sound article explains what happens with dissimilar mics:
If you try to use two different mics for X-Y coincident stereo recording, the inevitable result will be an unstable and ill-defined stereo image that appears to wander about, with different instruments affected in different ways. This isn’t a subtle effect, either — it takes very little difference between the two mics to make this a serious problem. This is precisely why the high-end mic manufacturers go to such trouble to maintain tight tolerances in producing matched pairs, and why companies producing more affordable mics offer hand-selected matched pairs.
The mics should have a low noise floor, meaning they won’t have a lot rumble on the low end. On the high end there should not be any harshness or hissing. They are meant to capture the ambiance of the room, so they generally should be warm and quiet.
They should be durable, since you will be moving them constantly into all sorts of configurations.
Great overhead mics should be a matched pair, if you can afford it. Thankfully, the price of matched pair mics have come down to a realistic price where most of us can afford to have a very acceptable solutions.
Rode, the manufacturer of our pick, ensure there’s a variation of no more than 1dB sensitivity between any matched microphones.
To see how our overhead mic pick perform double (and triple, and quadruple) duty in your studio, check out the videos below. All these applications of the Rode M5s are things most people will run into at one time or the other in their studio:
Phil O’Keefe at Harmony Central:
While there are nicer / quieter microphones out there (going for considerably more money I might add), the M5 is a serious contender in its price range – in fact, if you can’t do professional-quality recordings with a pair of these microphones, then it’s your chops that are the issue, not the quality of the gear.
Sound on Sound had his to say:
As a stereo pair the mics are also very effective, and well matched in sensitivity. They are useful in both spaced and coincident configurations, the low end always sounding tight and controlled. The M5s were very easy to position, as the former are an inch or so shorter than the NT5 and significantly shorter than the NT55.
This Guitar Center customer used the M5s for overhead drum mics and loved the results:
I bought these for Overheads for my Drums.They were a perfect fit with the rest of my Mic setup. Really made a BIG!! Difference.Really brought out my Kick Drum and just gave it a killer Stereo sound.
A Sweetwater customer noted:
I bought the matched pair around Christmas 2016 time . I had been looking for a more natural sound for my Gibson J185ec jumbo. I have always had great sound live but have been searching for a great sound for recording and the M5’s have been the best I have tried so far. Especially for my budget! I am a Rode fan and have a 1 NT1-A. It sounded good for guitar, but I was looking for a little more warmth and got it with M5’s. Their light weight also is a plus for mic placement. I am sure there are some great mics out there but these provide the sound I like and you can’t beat that price.
Here is a video review from a user. Make sure you have on headphones, so you can hear his audio descriptions paired with his playing:
The Dirty Mojos used the Rode m5s on their EP.
If you’re new to the whole overhead miking game, consider getting the Rode SB20 Stereo Bar. It has all the spacing measurements and directional arrows for some of the most common stereo imaging patterns.
It works with all other types of mics as well, so this is another one of those tools that is a smart buy because it will see a lot of use in your studio if you are ramping up your overhead miking and ambiance recording game.
At $200 (US), the Rode M5s will make a great addition to any studio, as these mics can be used in so many applications – especially in concert with the stereo bar.
For almost any sort of stereo imaging and ambiance recording, the Rode M5 stereo condenser pair is the one to get.
|Output Impedance||200 ohms|
|Signal/Noise Ration||75dB (A weighted)|
This matched pair of Rode M5s are one of the smartest picks you can buy, for the price. You can mic drums, guitars, orchestras, choirs, string quartets, and even lead vocals with this very flexible microphone option. For $200, you get one of the most useful additions to your microphone locker.
“One of my all-time favorite microphones, the Rode NT1-A. I have [had] one of these for probably a decade. It is a very very flat sounding microphone to me. So to me it’s a very transparent and it sounds good on almost anything. Vocals, acoustic guitar, drum overheads, toms, I have done on tom drums, guitars amps, room mics. It’s got a little bit of a top end. It sounds nice and clear so on some voices it can be a little harsh, but I think for the most part it sounds very flat. This is a great starting point about 200 bucks for the whole kit. Here US it’s just one of those perennial microphones that should be in every mic locker, in my opinion. One of my favorites from Rode.”
“As a stereo pair the mics are also very effective, and well matched in sensitivity. They are useful in both spaced and coincident configurations, the low end always sounding tight and controlled. The M5s were very easy to position, as the former are an inch or so shorter than the NT5 and significantly shorter than the NT55.”
“The subjective background noise level turned out to be adequately low for close-miking most instruments, even those that weren't particularly loud, but noise became more evident when working with more distant or very quiet sources. ”
“While there are nicer / quieter microphones out there (going for considerably more money I might add), the M5 is a serious contender in its price range - in fact, if you can't do professional-quality recordings with a pair of these microphones, then it's your chops that are the issue, not the quality of the gear.”
|Output Impedance||200 ohms|
|Signal/Noise Ration||75dB (A weighted)|
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